Maria Lind

transversal documents


· Actualisation of Space: The Case of Oda Projesi
· Aktualisierung des Raums: Der Fall Oda Projesi
· Actualisation de l'espace. Le cas Oda Projesi


documents


· The Future is Here
· Prihodnost je tukaj


· Introduction
· Evropske kulturne politike 2015

translations


publications


· European Cultural Policies 2015
Maria Lind, Raimund Minichbauer (ed.) / London, Stockholm, Vienna 2005

links

was born in Stockholm in 1966. Since 2005 director of Iaspis (International Artist Studio Program in Sweden) in Stockholm. 2002-2004 she was the director of Kunstverein München where she together with a curatorial team - consisting at different times of Sören Grammel, Katharina Schlieben, Tessa Praun, Ana Paula Cohen and Judith Schwarzbart - ran a programme which involved artists such as Deimantas Narkevicius, Oda Projesi, Bojan Sarcevic, Philippe Parreno and Marion von Osten. The format of a retrospective, or survey, was explored in a one-year long retrospective with Christine Borland 2002-2003, only ever showing one piece at a time and a retrospective project in the form of a seven-day long workshop with Rirkrit Tiravanija. The group project Totally motivated: A sociocultural maneouvre was a collaboration between five curators and ten artists looking at the relationship between 'amateur' and 'professional' art and culture. From 1997-2001 she was curator at Moderna Museet in Stockholm and, in 1998, co-curator of Manifesta 2, Europe's curator of Manifesta 2, Europe's biennale of contemporary art. Responsible for Moderna Museet Projekt, Lind worked with artists on a series of 29 commissions that took place in a temporary project-space, or within or beyond the Museum in Stockholm. There she also curated What if: Art on the Verge of Architecture and Design, filtered by Liam Gillick. Lind was one of 10 contributing curators to Phaidon's Fresh Cream book, and she has contributed widely to magazines including Index (where she was on the editorial board). She has been teaching at different art schools since the early 90s.

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je rođena u Stokholmu 1966. godine. Od 2005. je na mestu direktora Iaspis-a (International Artist Studio Program in Sweden) u Stokholmu. Od 2002. - 2004. je bila direktor Kunstverein München, gde je zajedno sa timom kustosa – koji su tokom različitih perioda činili Sören Grammel, Katharina Schlieben, Tessa Praun, Ana Paula Cohen i Judith Schwarzbart – vodila program koji je uključivao umetnike kao što su Deimantas Narkevicius, Oda Projesi, Bojan Šarčević, Philippe Parreno i Marion von Osten. Retrospektiva, ili istraživanje, je bilo praćeno tokom njenog jednogodišnjeg trajanja sa Kristinom Borland (Christine Borland) od 2002. - 2003., prikazujući jedan po jedan komad i ceo projekat retrospekcije u formi sedmodnevne radionice sa Rirkrit Tiravanija. Grupni projekat “Totally motivated: sociocultural maneuver” je bila saradnja između pet kustosa i deset umetnika sa fokusom na odnos između 'amaterske' i 'profesionalne' umetnosti i kulture. Od 1997. - 2001. bila je kustos u Muzeju moderne (Moderna Museet) u Stokholmu, a 1998. kustos saradnik izložbe Manifesta 2, evropski kustos izložbe Manifesta 2, evropskog bijenala savremene umetnosti. Odgovorna za Moderna Museet Projekt, Lind je radila sa umetnicima na seriji od 29 porudžbina, koji se desio u privremenom prostoru za projekte, u ili izvan muzeja u Stokholmu. Tamo je bila kustos projekta “What if: Art on the Verge of Architecture and Design”, uređivanog od strane Liam Gillick. Lind je bila jedna od deset kustosa koji su dali svoj doprinos Phaidon's Fresh Cream knjizi, a u velikoj meri je u svom radu doprinela časopisima uključujući i Index (u kom je bila član uredništva). Predavala je u mnogobrojnim umetničkim školama od ranih '90-tih.