first published in: Gefährliche Kreuzungen. Grammatik der Toleranz, München 2006 Translation: Silvia Bauer and Jon Smale The general theme of tolerance should not be considered here as a personal quality, as an individually inherent predisposition, as a character attribute of individuals: However, tolerance, as an ideological programme should neither be made the subject of discussion here – at least not solely, nor as a partial aspect of Christian doctrine, as an ideological programme, as an integral component of enlightenment such as of enlightened absolutism, nor as a supplement of political liberalism. Rather, the concern here should be tolerance as a grammar. Amongst other things, what this focussing of tolerance as a grammar suggests, is that it enables something which scrutinizes also such structurally diverse theoretical paths such as the later of Foucault’s texts, the Governmentality Studies, Queer Theory or the more ambitious notions of Critical Whiteness Studies: This is not a view upon the others which initially creates and produces the others, somewhat like subjects or objects of racist practices or anti-Semitic and Islamophobic discourses, but rather a view that immanently examines the white, male, heterosexual, colonial constant in its practice of ‘Othering,’ of the production of the Other, quasi from within, as a constant which sets itself as a norm and reproduces itself time and again. It is not a matter here of a technique of self-incrimination, and neither of a theory which aims to clarify the essence or the origin of the evil of racism, sexism, Islamophobia and anti-Semitism. Rather, we intend here to propose considerations which subject the relationships between the tolerated and the tolerating, the practices of tolerance, to examination, and furthermore also to draw lines of flight which break through the asymmetries of these relationships and practices. What is it specifically, not to understand tolerance as a personal characteristic or a political programme, but as a grammar? Let us begin traditionally with etymology and linguistic aspects of the term: In a stricter sense the grammar of tolerance would mean it is concerned with putting tolerance in writing. In Old Greek gramma stands for letter or script, which comes from grafein, to score, to scribe, to engrave. The gramma is therefore literally the product of a practice that inscribes or etches a trace into something. On this linguistic level, grammar means a connection between these inscribed, etched traces of the script and the language, the relationship of these traces to one another. It is less a matter here of the ascertainment, the identification, the arrangement of subject and object as phrases, or in our case of subjects and objects of tolerance, but also more particularly a matter of that shift of the meaning which is produced through the predicate, namely “to tolerate.” With all instances of the application of tolerance, it should then be asked how exact is toleration to be set as a grammatical function, and this not only as a question of the subject and object of tolerance, simply according to the maxim “who is tolerating whom?” A differentiated examination of this grammatical function should begin before this question and continue beyond it, and it should not follow a method of definition but rather one of the shift of its meaning. Allow me to illustrate the mobility and
changeability of the grammatical function of tolerance with a brief history of
the term. The term tolerance appears for the first time as a substantivization
of the Latin verb tolerare (to bear, to endure, to suffer): as tolerantia by Cicero, namely in a
lesser work which Cicero had written in 46 BC, the stoical Paradoxa ad Marcum Brutum,
and it is probably not a coincidence that the word appears precisely from
Cicero, at the transition between politics and philosophy. Tolerance appears
here in a series of virtues of the wise man, for instance in the extent of his
advice, magnitudo
consilii, or in the contempt of fate, contemptio fortunae, and as tolerantia rerum humanarum,
tolerance that is, toward all human affairs. In its universality this tolerance
is toward all that which is human, a clarified, almost objectless, absolute
tolerance, and it alludes to something that we refer to in everyday speech as
stoic calm. In Cicero’s
stoical philosophy, tolerance is a virtue of the wise man latent within
himself, quite similar to the concern for one's self, as Foucault would later
call it. There is however a significant difference between Cicero and Foucault:
While Foucault above all develops a practise of concern for the self which
conceptualizes the self not as subject but as a manner of subjectivization –
implying movement, both in regard to an ever changing relation to oneself as
well as in regard to all possible transversal exchange relationships – the absolute
subject of tolerance for Cicero remains static, latent, a virtue in itself. While Foucault
understands subjectivization as a process, the self as a relationship, this
movement in the philosophy of Cicero
tends to appear inoperative: Tolerance emerges as an absolute virtue which does
not simply tolerate anyone or anything, but literally amounts to enduring
everything. Despite their
evident effects, or perhaps also directly because of them, arguments in
opposition to this affirmative tolerance discourses occur – with similarly good
justification and almost from the time the term exists – that exercise
criticism on the phenomenon and the term of tolerance, by which they refer to
its inherent relationship settings: Within the long history of tolerance, there
develop namely exactly those relationship settings that describe tolerance not
as a self-relationship or as a transversal movement of reciprocal exchange but
as a hierarchical, vertical relationship setting towards others. The concept of repression leads me directly to the 20th century and to Herbert Marcuse’s criticism of “repressive tolerance” from the year 1965[4]: Marcuse sees the main function of tolerance for liberal democracy – and this aspect was also gladly taken up by the rebelling students of 1968 – in the increasing concealment of exclusion and exploitation as well as in a reversal of the demand for tolerance. The political location of tolerance has changed, says Marcuse. Tolerance depletes itself in nothing but passivity via-à-vis authority. It is thus no longer those in authority who are called upon to tolerate, but on the contrary, it is the minorities. The subordinate groups may tolerate those who govern them, by abstaining from antagonistic practices and discourses, and passively accepting their dominance. This aspect of the reversal of the demand for tolerance is then the fertile feature of Marcuse’s theory still today: in times of Zero-Tolerance-Propaganda getting out of hand in respect of minorities, from New York to the Bavarian provinces, even more unbearable today than in the 1960’s. Marcuse’s theory however, becomes problematical at the point where he introduces the figure of an autonomous subject – in possession of a free will and capable of appraisal – as a precondition which once prevailed but now due to repression is no longer to be found.[5]
Michel Foucault’s considerations are directed against this hypothesis of
a power formation which can only be understood primarily or only as repression
against a subject originally considered autonomous. Foucault’s argument against
the “repression hypothesis” is based on the challenging of repression as a
central moment for the cohesion of society and the securing of authority.
Without denying that repression existed and exists Foucault insists on
emphasising the productive and creative aspects of power. More complex governmental
mechanisms function not (only) via simple exclusion, but – beyond discipline
and control – also via a structure of provision and at the same time limitation
of freedoms.
When tolerance in the setting of bio-power expresses and consolidates a specific norm, it turns out that all that which is tolerated is also a part of that which this norm secures and maintains. The object of tolerance firstly establishes the naturalness and the authority of the norm and of those who exercise tolerance. Therefore, tolerance manifests itself by the granting of all freedoms, particularly in rules, restrictions and conditions which define what those practicing tolerance can accept without endangering their authority. At the same time the pose of tolerance on the side of those tolerating cloaks, disguises and veils that very authority and normativity which is inherent in it. Tolerance organises not only the subjects of tolerance through normative marginalization, it conceals also the process of identification of differences and of inclusive exclusion. Tolerance is at the same moment the exercise of power and its disguise.
The grammar of tolerance establishes then not only a regime of identification of the ‘other’ and his/her inclusion, but creates a multiple surplus. How far the tolerant “authority” of the bio-power capitalises from the identification of the ‘other’ and from the integration of all forms of difference, can be identified via a brief look at the present stage of neo-liberal capitalism and its affirmation through pseudo-scientific literature: A typical document is the “Euro-Tolerance-Index”[6] introduced by Richard Florida and Irene Tinagli which has become relevant for the official urban development policy of many European cities, a bizarre attempt to quantify tolerance on the basis of comparisons of European nations. An advantage arises here not only from the disguise of the authoritarian position of those ‘tolerating,’ but conversely also from the visibility of varying – even if still included/excluded – positions of the ‘tolerated.’ Even in his bestseller The Rise of the Creative Class, Richard Florida has ‘analysed’ the relationship of culture, creativity and economic growth, and has ‘verified’ that creativity as a location factor decisively contributes to economic success: “The key to understanding the new economic geography of creativity and its effects on economic outcomes lies in what I call the 3T’s of economic development” – the three capital T’s thus as the most important factors of urban economic development: “Technology, Talent and Tolerance.”[7]
Technology and talent are perhaps understandably – even if on completely different levels – economic factors, but how does tolerance function within this constellation? “Tolerance… is critical for the ability of a region or nation to attract or mobilize creative talent.”[8] Tolerance toward gays, “bohemians,” migrants and women is propagated as a decisive factor for location policy and economic growth according to the authors of the study Europe in the Creative Age and hence praised as a competitive advantage for regions and cities. Not that the above mentioned groups identified as minorities through
their participation in the production process could contribute to
economic growth, their pure “presence” as a pre-productive function of
tolerance leads to furtherance of the “ecosystem of creativity.” “The point here is not that immigrants, gays or bohemians literally
‘cause’ economic growth. Rather, their presence in large numbers
is an indicator of an underlying culture that’s open and
conducive to creativity.”[9]
To conclude. I once
again return to my initial considerations about grammar: Grammar, I said, is a
connection between the inscribed, etched traces of the script and the language,
the relationship of these traces to each other. In the forming of these
connections, the subjects and objects of tolerance are not only defined,
identified and stratified, but also – and principally – the shift of the
meaning is initiated which is created by the predicate. In doing so it is
necessary and possible to understand the grammar not as a simple practice of
determination of the positions of the tolerating and the tolerated, but rather
to think of it beyond identitarian ascriptions and fixations of hierarchy.
[1] Max Stirner, The Ego and his Own, New York: Benj. R. Tucker, 1907 [2] ibid. [3] ibid. [4] Herbert Marcuse, “Repressive Tolerance,” in: Robert Paul Wolff, Barrington Moore, jr., and Herbert Marcuse, A Critique of Pure Tolerance, Boston: Beacon Press 1969. [5] cf. here and also for the following Foucault interpretation: Wendy Brown, “Reflections on Tolerance in the Age of Identity,” in: Aryeh Botwinick, William E. Connolly (Eds.), Democracy and Vision: Sheldon Wolin and the Vicissitudes of the Political, Princeton University Press 2001 [6] Richard Florida; Irene Tinagli, Europe in the Creative Age, February 2004, http://www.creativeclass.org/acrobat/Europe_in_the_Creative_Age_2004.pdf [7] Richard Florida, The Rise of the Creative Class, New York: Basis Books 2002, 249. [8] Richard Florida; Irene Tinagli, Europe in the Creative Age, 25. [9] ibid. [10] Slavoj Zizek, "A Plea for Leninist Intolerance", in: Critical Quarterly (Winter 2002). [11] Michel Foucault, „Theatrum Philosophicum,“ in: Michel Foucault: Language, Counter-Memory, Practice: Selected Essays and Interviews, Ithaca, NY: Cornell University Press 1977, 165-197. [12] Immanuel Kant, "An Answer to the Question: What is Enlightenment?," in: Perpetual Peace and Other Essays, Cambridge: Hackett Publishing Company 1983, 43.
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